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Education:

Bachelor of Music, San Francisco Conservatory of Music (2014-2018)
  Studied French horn performance with Jonathan Ring
  Studied composition with Jacques Desjardins
  Studied musicology with Dr. Emily Laurence
   

 

Selected Honors: 

 

2025: Artist in Residence, Headlands Center for the Arts

 

Selected Solo Live Performances:


2024: Limoncello and Loops (Upper Market Gallery, San Francisco)
2024: Performance for Paper Loudspeakers (Garden of Memories at Chapel of the Chimes, Oakland)
2024: Performance for Crystal Wine Glasses, Glass Flute, and Glass Speaker (Gallery 16, SF pop-up)
2024: “Quiver” for Paper Loudspeakers (Installation, Gallery 16, SF pop-up)
2023: Evening Length Performance for Marbles, Wine Bottles, Glass Flute, Crystal Wine Glasses, Keyboards, and Glass Speakers (Garden of Memories at Chapel of the Chimes, Oakland)
2022: Bottles and Organ (Aphodian, Portland, ME)
2021: Performance for Glass Panes, Crystal Wine Glasses, Bottles, and Prototype Glass Speakers (Massman Gallery, Oakland)
2018: Sonata for Balloons and Candy (Center for New Music, San Francisco)

Selected Collaborations:

 

2024: Leeback Foops (Audio/Visual collaboration as L&M with Milo Moyer-Battick)
2023: Ambrosia Salad (short animated film with Yoko Kurotani)
2022: L&M 002: Glass, Works! (CD with Milo Moyer-Battick)
2022: Ratchet Attach it for drumline and altered player piano recordings (with Charles Amirkhanian for Other Minds Festival 26)
2021: Audible Autopsy (for Anthony J. Gnazzo) (with Charles Amirkhanian for Bang on a Can Marathon, performed by Robert Black, bass and voice)
2021: L&M 001: Recordings 10.1.2020–2.1.2021 (cassette with Milo Moyer-Battick)
2020: Rabbit’s Moon (LP with Jakob Battick and Ryan Cutler)
2019: Tarantula Sunet (single for Aquarium Drunkard’s The Drop Bear’s Song compilation for Australian wildfire relief. Performed with Hayden Pedigo and Andrew Weathers)
2019: Interference Concert Series (Flagstaff, AZ with Jakob Battick and Ryan Cutler)
2018: Horn, Drone, and Concrete (co-composed sound installation at U.C. Davis with Matthew Slayton)

Selected Solo Recordings:

2023: Solitude for Yoko (plunderphonic/electronic composition)
2022: Heart Ass (plunderphonic/electronic composition)
2021: Improvisation for Keyboards and Glasses 10.2.21
2021: Solo for Glass Bottles and loops
2021: Improvisation for Keyboard 8.29.21
2021: Nandy for Milo (plunderphonic/electronic composition)
2021: Untitled #2: for Fun Times and Libations (electronic composition)
2021: Untitled #1: Monophonic Fun (electronic composition)
2021: Xani-Doo (plunderphonic/electronic composition)
2020: 8 Improvisations for Amplified Glass Pane
2018: Radio Tryptic: CATZ 2.0, SAWZ 2.0, BUH-BAM (radio art/for Lake Radio in Denmark)
2018: Microtonal Radio Suite (radio art/for KALW, San Francisco)


Writings:

2023: Introductory Essay for Henry Birdsey’s Two Harmonicas in the Jeweler’s Court (Poole Music – PM 008)
2023: Liner Notes for Senso Di Voce’s TIERCERON (Other Minds Records – OM-1037)
2021: Introductory Essay for Jim Nollman’s Music for Swimming and Flying (Other Minds Records – OM 2033)
2020: Essay on Extended Intonation for Henry Birdsey’s Half-Dragged (Other Minds Records – OM 2027)


Relevant Professional Experience:

Other Minds (2018-Present)
  Production Director (2020-present)
    Co-curating yearly contemporary music festival
    Responsible for all aspects of producing festival and topical concerts throughout the year
  Recordings Director (May, 2024-present)
    Curation of music released on Other Minds Records
  Communications Coordinator (2018-2020)
  Radio Host at KALW (2018-present)
    Music from Other Minds
    Weekly program dedicated to music and interviews of composers and performers of experimental music.        

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